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Latest Stories
‘Where Black Bodies Dream’: Creating Utopia with Artist Adler Guerrier
‘Where Black Bodies Dream’: Creating Utopia with Artist Adler Guerrier

The Miami-based artist is a master at identifying moments of paradise in familiar, African diasporic scenes—from Haiti to Los Angeles.

How Kids of Immigrants Designer Daniel Buezo Is Using Streetwear to Help Migrants at the U.S.-Mexico Border
How Kids of Immigrants Designer Daniel Buezo Is Using Streetwear to Help Migrants at the U.S.-Mexico Border

“Making clothes is amazing and fashion is awesome. But I feel like it's our responsibility to use our gifts to create change.”

Rihanna’s LVMH Deal Is the Perfect Marriage for Luxury and Hip-Hop Culture
Rihanna’s LVMH Deal Is the Perfect Marriage for Luxury and Hip-Hop Culture

The partnership is a tipping point for luxury fashion, which has had a history of racism and appropriation.

 
 
 
 
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Follow Other Suns

Haitian artist @adlerguerrier makes art that depicts the spaces “where brown bodies and black bodies dream, or smell, they whisper, make plans—those spaces are very necessary to this moment of blackness,” he says. Find out how Adler captures utopia in everyday black spaces at the link in our bio. #miamiart #haitianartists #photography #landscapes #blackart
Subscribe to our monthly newsletter, Ritual + Practice, highlighting the creative process and inspirations of black designers, artists, and thinkers—to help stimulate your own creative growth. Our first newsletter will kick off with insights from Miami-based artist Adler Guerrier @adlerguerrier, who is a master at using perspective to find beauty in his environment. Click the link in our bio to catch that inspo.
I saw things I imagined / things I imagined — @saintrecords #solange
1. @mistyonpointe: “I look at this photograph and I think they don't look very comfortable. They’re also wearing sneakers with their tutus and tights, which says a lot. This photograph feels so representative of how most black kids enter dance. What really gets me are the pink tights. Those tights are such a psychological thing that’s ingrained within the ballet culture: The fact that your skin doesn’t match the tights is a subconscious way of signaling to brown people that they don’t belong without ever having to say it. — #MistyCopeland (Students at Lincoln Center, 1987) 2. April Berry in Alvin Ailey’s “The Magic of Katherine Dunham,” 1987 3. Single parents and their children, Tribeca, 1978 4. Savoy Ballroom, Harlem, 1953 5. Students at Duke Ellington School of the Arts, Washington DC, 1985 6. At Baby Grand, Harlem, 1965 All images from @nytimes #blackfashion #dance #alvinailey #blackstyle #harlemfashion #dancefashion
 
 
 
 
 
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